Growing up in Texas, Bart Millard suffers physical and emotional abuse at the hands of his father. His childhood and relationship with his dad inspires him to write the hit song “I Can Only Imagine” as singer of the Christian band MercyMe.

Lily’s life is turned upside down when she is forced to leave her friends to spend the summer on a remote ranch with her nature-loving aunt. Convinced her social life is over, she is surprised to meet an unlikely group of friends and embarks on an adventure of a lifetime. When her aunt is threatened by unfriendly neighbors, Lily knows it is up to her and Pistachio, the horse she has discovered an unbreakable bond with, to save the ranch and to find her destiny along the way. Starring “I Can Only Imagine’s” Madeline Carroll, Denise Richards and Joey Lawrence.

How to be a son, whose parents ask every day whom he loves more? Mother or father? How to be a mother if she madly loves her son, but circumstances compel her to take away the child from his father? How to be a father if his son is taken away to America forever, and he can’t imagine a life without him? This is a story about choice. Parents who decide for their children more than often act as best suits them. The child agrees, afraid to cause pain, but time will pass and the child will mature and at some point decide for himself. Only for the parents this is a lot more painful.

Ken Andrews (Faison) has been the orchestrator of the hazing pranks at all of his buddies’ stags – elaborate, hilarious pranks that have left many emotional scars and a few physical ones. And now today is Ken’s stag! He nervously awaits the fate that his pals surely have in store for him, comforted only by the knowledge that Carl (Pat Thornton) will be there to watch his back. That is, so long as Carl can extract himself from the Hollywood celebrity, Veronica (Amurri). Ken will soon discover that payback is worse than he could ever imagine. Written by Brett Heard

Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.

On the Arabian Peninsula in the 1930s, two warring leaders come face to face. The victorious Nesib, Emir of Hobeika, lays down his peace terms to rival Amar, Sultan of Salmaah. The two men agree that neither can lay claim to the area of no man’s land between them called The Yellow Belt. In return, Nesib adopts Amar’s two boys Saleeh and Auda as a guarantee against invasion. Twelve years later, Saleeh and Auda have grown into young men. Saleeh, the warrior, itches to escape his gilded cage and return to his father’s land. Auda cares only for books and the pursuit of knowledge. One day, their adopted father Nesib is visited by an American from Texas. He tells the Emir that his land is blessed with oil and promises him riches beyond his wildest imagination. Nesib imagines a realm of infinite possibility, a kingdom with roads, schools and hospitals all paid for by the black gold beneath the barren sand. There is only one problem. The precious oil is located in the Yellow Belt.

Bizarre black comedy about 15th-century Paris lawyer Richard Courtois (Firth) who decides to ply his trade in the country, only to find things stranger than he can imagine. His first case turns out to be defending a pig that’s accused of murdering a child. And the pig is owned by beautiful gypsy Samira (Annabi), so the idealistic lawyer can fall in love (or lust). There’s religion and superstition, there’s power struggles, there’s ignorance versus knowledge–things sound very modern indeed.

Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.

Imagine a world where video games reign supreme. Five story buildings filled with arcade cabinets, old and new, inundate the streets. Welcome to downtown Tokyo, Japan. A place where the arcades of the 80s and 90s not only still exist, but thrive and have evolved into an elaborate, unmatchable gaming experience. 100 Yen is a historical documentary about the evolution of arcades and the culture surrounding it – from the birth of arcades to the game centers that still thrive today. With a predominant focus on the three major arcade genres, Shooting games, Fighting games and Rhythm games, 100 Yen explores the culture and evolution of arcades through the past and present. Featuring interviews with industry professionals, game programmers and designers, casual gamers and gaming icons from Japan, Canada, and the USA.

Imagine asteroids so large that they can wipe out all life on the planet constantly bombarding the Earth. The only things standing in the way are the Rock Jocks, a top-secret band of government employees, who pilot asteroid-killing satellites. The story takes place during a Rock Jocks night shift. Though they are there to fight off asteroids, they spend most of the night fighting off boredom, themselves, and the occasional meddling government bureaucrat hell-bent on cutting their department’s budget.

Can the Holy Spirit direct a movie? In this fast-paced documentary from the director of the popular films Finger of God, Furious Love, and Father of Lights, Darren Wilson sets out to make a movie that is completely led by the Holy Spirit. No plan, no script, no safety net–just go wherever he feels the Spirit leading him to try and discover the adventure God has for him. Whether it’s the riches of Monte Carlo, a heavy metal concert, or the oldest city in the world, the result is a film that not only challenges and excites, but also reveals a God who is far more alive and active than you ever imagined.